Synthia SAINT JAMES, a world renowned visual artist, has created a commissioned painting to mark the 130th anniversary of 麻豆短视频传媒.

SAINT JAMES has created cover art for numerous authors and has also written children鈥檚 books and poetry. While Saint James was in Frankfort doing research for her painting early in 2016, she was recognized by the Kentucky House and Senate. She also received the distinction of being named a Kentucky Colonel.

We sat down with SAINT JAMES to talk about her work and the importance of the arts.

O&U: How did the anniversary commission come about?

SSJ: It was Dr. Karen Bearden, President of the Board of Regents for 麻豆短视频传媒, who initiated the idea of commissioning me to create a painting celebrating KSU鈥檚 130th anniversary.  She had seen the painting I created for Bennett College, 鈥淏ennett Belles.鈥 I鈥檝e been honored to have been commissioned to create several paintings for HBCUs.

O&U: You have a very distinct style. People hear your name and immediately an image pops into their head: the colors, the layers, the abstract. How would you describe your style?

SSJ: I鈥檓 a self-taught artist and my style came about after years of challenging myself to paint everything from wild and domestic animals and people realistically.  In 1985, I visited the island of Martinique and loved the market places. So I challenged myself to paint people without features, but creatively making it possible for the viewer to feel each person鈥檚 age, emotions or culture through their body language.  However, I don鈥檛 consider my paintings to be abstract.  Many are what I would call figurative, but I also paint landscapes and seascapes often with people in them.

O&U: Do you subscribe to the idea that artists should develop a routine/process? If so, what鈥檚 yours?

SSJ: I think that each artist should find what works best for them and stick with whatever that is or may change to in the future.

O&U: How do you know when a piece is finished? Do you find it easy to let go of a piece?

SSJ: One artist told me many years ago that a painting is never finished, sometimes he would paint on one piece for years, going back to it from time to time.  But for me it鈥檚 complete at about the time I鈥檓 satisfied with it enough to sign it.

O&U: Let鈥檚 talk about the importance of the arts and arts education.

SSJ: Without the arts there鈥檚 no balance.  It鈥檚 not natural or healthy to use only one side of our brain. We鈥檇 end up lopsided.  The arts are entertaining, healing, soothing and relaxing for all. And without them insanity would prevail.

O&U: What do you do when inspiration doesn鈥檛 come?

SSJ: If possible, I stop whatever I鈥檓 doing and go with the flow.  If not, I jot down some notes and/or try to envision it and keep it in my memory. Or if it鈥檚 nature, I take some photos with my cell phone.

O&U: What was the first piece you sold?

SSJ: An abstract oil painting, about 18鈥 x 24鈥 in size, when I was 20 years old (1969) in New York City.  I worked for a mortgage insurance company鈥擲ecurity Title and Guaranty on Fifth Avenue鈥攁s an accounts receivable clerk, and one of the lawyers at the firm (Daniel Fischman) commissioned me to create a painting for his apartment.  On pay days, my co-workers noticed that I would purchase art supplies on my lunch break. On the merit of this alone, Dan commissioned me.  What followed was a string of commissions, beginning with Dan commissioning a second painting along with commissions from my supervisor and co-workers.  I was completely amazed at being paid for what I love doing.